Solista:\u00a0Joonas Ahonen, piano<\/p>\n
14 de noviembre 2015 – 20.00h
\nTeatro Col\u00f3n, Cerrito 618<\/p>\n
Una coproducci\u00f3n con\u00a0el\u00a0Ciclo de Conciertos\u00a0de\u00a0M\u00fasica Contempor\u00e1nea\u00a0del Teatro San Mart\u00edn.
\nCon el apoyo de la Cooperaci\u00f3n Espa\u00f1ola<\/p>\n
Trans<\/strong> es una radical obra para orquesta y electr\u00f3nica del compositor alem\u00e1n Karlheinz Stockhausen. Se trata de una pieza de teatro musical inspirada en El Libro Tibetano de los Muertos<\/em> , con una est\u00e9tica sonora y visual que remite a lo on\u00edrico. Todos los movimientos usuales de la orquesta est\u00e1n precisamente coreografiados y el director no es visible.<\/p>\n Con la direcci\u00f3n del prestigioso espa\u00f1ol Ernst Mart\u00ednez Izquierdo, el concierto incluye adem\u00e1s el estreno nacional de Concierto para piano y orquesta<\/em> (2007) del reconocido compositor Beat Furrer, con la participaci\u00f3n del pianista Joonas Ahonen, miembro del Klangforum Wien\u00a0y\u00a0la Sinfon\u00eda en Tres Movimientos<\/em> (1945) de Igor Stravinsky.<\/p>\n Ernest\u00a0Mart\u00ednez\u00a0Izquierdo<\/strong>\u00a0(Barcelona,\u00a01962),\u00a0es\u00a0Director\u00a0Honorario\u00a0de la \u00a0Orquesta\u00a0Sinf\u00f3nica <\/p>\n","protected":false},"excerpt":{"rendered":" Concierto. 14\/11\/2015
\nde\u00a0Navarra\u00a0y\u00a0principal\u00a0Director\u00a0Invitado\u00a0del\u00a0Ensemble\u00a0Barcelona\u00a0216.\u00a0Tras\u00a0su\u00a0formaci\u00f3n\u00a0musical\u00a0en\u00a0Barcelona\u00a0y\u00a0Paris,\u00a0en\u00a01985\u00a0inici\u00f3\u00a0su\u00a0carrera\u00a0como\u00a0director\u00a0de\u00a0orquesta\u00a0con\u00a0la\u00a0creaci\u00f3n\u00a0del\u00a0grupo Barcelona\u00a0216,\u00a0especializado\u00a0en la\u00a0interpretaci\u00f3n\u00a0del\u00a0repertorio\u00a0de\u00a0c\u00e1mara\u00a0contempor\u00e1neo.\u00a0Desde\u00a0el\u00a0a\u00f1o
\n1997\u00a0hasta\u00a0el\u00a02013\u00a0ha\u00a0sido\u00a0director\u00a0titular\u00a0y\u00a0art\u00edstico\u00a0de\u00a0la\u00a0Orquesta\u00a0Sinf\u00f3nica\u00a0de\u00a0Navarra.\u00a0Asimismo,\u00a0desde\u00a0el\u00a0a\u00f1o\u00a02002\u00a0hasta\u00a0el\u00a02006\u00a0fue\u00a0director\u00a0titular\u00a0y\u00a0art\u00edstico\u00a0de\u00a0la\u00a0Orquesta\u00a0Sinf\u00f3nica\u00a0de\u00a0Barcelona\u00a0y
\nNacional\u00a0de\u00a0Catalunya,\u00a0continuando\u00a0como\u00a0principal \u00a0director\u00a0invitado\u00a0hasta el\u00a0a\u00f1o\u00a02009.\u00a0Paralelamente
\na\u00a0su actividad\u00a0como director titular, ha\u00a0dirigido\u00a0las\u00a0principales\u00a0formaciones\u00a0espa\u00f1olas\u00a0e
\ninternacionalmente\u00a0ha trabajado\u00a0con\u00a0orquestas\u00a0como:\u00a0Kyoto\u00a0Symphony\u00a0Orchestra,\u00a0Finish\u00a0Radio
\nSymphony\u00a0Orchestra,\u00a0Helsinki\u00a0Philharmonic,\u00a0Philharmonique\u00a0de\u00a0Radio\u00a0France,\u00a0Nacional\u00a0de Lyon,
\nWarsaw\u00a0Philharmonic,\u00a0Gulbenkian\u00a0Orchestra\u00a0(Lisboa),\u00a0Sinf\u00f3nica\u00a0do\u00a0Porto,\u00a0Sinf\u00f3nica\u00a0Municipal\u00a0de\u00a0S\u00e3o
\nPaulo,\u00a0Zagreb \u00a0Philharmonic,\u00a0Orchestra\u00a0Comunale\u00a0de\u00a0Bologna,\u00a0Beethoven\u00a0Academie\u00a0(Amberes),
\nNiederosterreische\u00a0Tonk\u00fanstler\u00a0(Viena),\u00a0y\u00a0ensembles\u00a0como\u00a0Ensemble\u00a0Contemporain\u00a0de\u00a0Montr\u00e9al,
\nEnsemble\u00a0Modern\u00a0de\u00a0Frankfurt,\u00a0Wien\u00a0Klangforum,\u00a0Avanti\u00a0Chamber\u00a0Orchestra\u00a0(Helsinki)\u00a0entre\u00a0otros.
\nComo\u00a0director\u00a0de\u00a0\u00f3pera\u00a0destacan\u00a0las\u00a0producciones\u00a0Adriana\u00a0Mater\u00a0de\u00a0Kaija\u00a0Saariaho\u00a0con\u00a0direcci\u00f3n
\nesc\u00e9nica\u00a0de\u00a0Peter\u00a0Sellars\u00a0(premiers\u00a0en\u00a0la\u00a0\u00d3pera\u00a0Nacional\u00a0de\u00a0Finlandia\u00a0y\u00a0en\u00a0la\u00a0\u00d3pera\u00a0de\u00a0Santa\u00a0Fe,\u00a0Estados
\nUnidos), Le nozze\u00a0di\u00a0Figaro\u00a0de\u00a0W.A.\u00a0Mozart,\u00a0direcci\u00f3n\u00a0esc\u00e9nica\u00a0de\u00a0Emilio Sagi\u00a0y\u00a0Carmina\u00a0Burana\u00a0de\u00a0K.
\nOrff,\u00a0con\u00a0puesta\u00a0en\u00a0escena\u00a0de\u00a0La\u00a0Fura\u00a0dels\u00a0Baus.\u00a0Ha\u00a0realizado\u00a0grabaciones\u00a0para\u00a0sellos\u00a0discogr\u00e1ficos\u00a0como
\nTelarc,\u00a0Harmonia Mundi, Collegno,\u00a0Ircam,\u00a0Stradivarius\u00a0y\u00a0Naxos.\u00a0Entre\u00a0los\u00a0galardones\u00a0recibidos\u00a0destacan
\nel\u00a0premio\u00a0Ojo\u00a0Cr\u00edtico\u00a0de\u00a0RadioNacional\u00a0de\u00a0Espa\u00f1a\u00a0(1995)\u00a0el\u00a0premio\u00a0Roland\u00a0de\u00a0Periodismo\u00a0de\u00a0M\u00fasica
\nCl\u00e1sica\u00a0de\u00a0Catalu\u00f1a\u00a0(2000),\u00a0el\u00a0premio\u00a0Ciutat\u00a0de\u00a0Barcelona\u00a0(2001),\u00a0el\u00a0Latin\u00a0Grammy\u00a0(2006)\u00a0y\u00a0el
\nDiapason\u00a0d\u2019Or\u00a0(2012).\u00a0Desde\u00a0el\u00a0a\u00f1o\u00a02006\u00a0es\u00a0miembro\u00a0de\u00a0la\u00a0Reial\u00a0Acad\u00e8mia\u00a0Catalana\u00a0de\u00a0Belles\u00a0Arts\u00a0de
\nSant\u00a0Jordi.<\/p>\n
\nTeatro Col\u00f3n<\/p>\n","protected":false},"author":2,"featured_media":4709,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,15],"tags":[],"class_list":["post-4708","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","category-otros-espacios","h-entry"],"_links":{"self":[{"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/posts\/4708"}],"collection":[{"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/comments?post=4708"}],"version-history":[{"count":1,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/posts\/4708\/revisions"}],"predecessor-version":[{"id":9378,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/posts\/4708\/revisions\/9378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/media\/4709"}],"wp:attachment":[{"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/media?parent=4708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/categories?post=4708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/tags?post=4708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}