{"id":7966,"date":"2017-07-05T18:19:13","date_gmt":"2017-07-05T18:19:13","guid":{"rendered":"\/?p=7966"},"modified":"2023-11-19T00:36:59","modified_gmt":"2023-11-19T03:36:59","slug":"chatterton","status":"publish","type":"post","link":"https:\/\/v4.cceba.org.ar\/chatterton\/","title":{"rendered":"Chatterton"},"content":{"rendered":"<div class='vw-row-shortcode'><div class=\"vw-column-shortcode vw-one-half\"><strong>Chatterton<\/strong><br \/>\n<strong>de Elena Medel<\/strong><br \/>\n<strong>Madrid, Visor, 2014\u00a0<\/strong><\/p>\n<p>\u00abEl paso veloz del tiempo, la llegada de la madurez, los espacios en los que transcurre la cotidianidad: \u00bflogra la poes\u00eda ilustrarnos sobre estos aspectos vitales todav\u00eda hoy? La respuesta es un s\u00ed claro y rotundo, y se encuentra en las p\u00e1ginas de Chatterton. Elena Medel nos recuerda desde su voz po\u00e9tica que sigue siendo posible construir obras m\u00e1s perdurables que el bronce con palabras\u00bb<\/p>\n<p><strong>Elena Medel<\/strong> (C\u00f3rdoba, Espa\u00f1a, 1985) es escritora . Ha publicado los libros de poes\u00eda \u00a0<em>Mi primer bikini<\/em> (2002),<em> Tara<\/em> ( 2006) y <em>Chatterton<\/em> ( 2014), que obtuvo el XXVI Premio Fundaci\u00f3n Loewe a la Creaci\u00f3n Joven, as\u00ed como los <em>Cuadernos Vacaciones<\/em> ( 2004) y <em>Un soplo en el coraz\u00f3n<\/em> ( 2007). Su obra ha sido traducida varios idiomas, e incluida en numerosas antolog\u00edas. Dirige la editorial de poes\u00eda La Bella Varsovia.<\/p>\n<p><a href=\"https:\/\/cultura.elpais.com\/cultura\/2014\/03\/18\/actualidad\/1395165469_719958.html\" target=\"_blank\" rel=\"noopener\">https:\/\/cultura.elpais.com\/cultura\/2014\/03\/18\/actualidad\/1395165469_719958.html<br \/>\n<\/a><a href=\"https:\/\/www.elcultural.com\/revista\/letras\/Chatterton\/34472\" target=\"_blank\" rel=\"noopener\">https:\/\/www.elcultural.com\/revista\/letras\/Chatterton\/34472<\/a><br \/>\n<\/div><div class=\"vw-column-shortcode vw-one-half\">\u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-7968\" src=\"\/wp-content\/uploads\/2017\/07\/medel_.jpg\" alt=\"medel_\" width=\"400\" height=\"637\" srcset=\"https:\/\/v4.cceba.org.ar\/wp-content\/uploads\/2017\/07\/medel_.jpg 400w, https:\/\/v4.cceba.org.ar\/wp-content\/uploads\/2017\/07\/medel_-188x300.jpg 188w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Visor, 2014 <\/p>\n","protected":false},"author":2,"featured_media":7967,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[271],"tags":[],"class_list":["post-7966","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-el-bibliotecario-virtual-recomienda","h-entry"],"_links":{"self":[{"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/posts\/7966"}],"collection":[{"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/comments?post=7966"}],"version-history":[{"count":0,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/posts\/7966\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/media\/7967"}],"wp:attachment":[{"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/media?parent=7966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/categories?post=7966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/v4.cceba.org.ar\/wp-json\/wp\/v2\/tags?post=7966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}